|  |  | |  | |  | From Chapter 3: It would seem, from one example I have noted, as if in some places smoking were not allowed in public-houses. In the account-book of St. Stephen's Church and Parish, Norwich, the income for the year 1628-29 included on one occasion 20 s. received by way of fine from one Edmond Nockals for selling a pot of beer "wanting in measure, contrary to the law," and another sovereign from William Howlyns for a like offence. This is right and intelligible enough; but on another occasion in the same year each of these men, who presumably were ale-house keepers, had to pay 30 s.—a substantial sum considering the then value of money—for the same offence and "for suffering parishioners to smoke in his house." I have been unable to obtain any information as to why a publican should have been fined an additional 10 s. for the heinous offence of allowing a brother parishioner to smoke in his house.
From Chapter 5: A Sussex rector, the Rev. Giles Moore, of Horsted Keynes, in 1656 and again in 1662, paid 1 s. for two ounces of tobacco, i.e. at the rate of 8 s. per lb. Presumably the rector bought the more expensive Spanish tobacco and the squire the cheaper Virginian. At the annual parish feast held at St. Bride's, Fleet Street, London, on May 24, 1666, the expenses included 3 d. for tobacco for twenty or more adults. This too was doubtless Virginian or colonial tobacco. The North Elmham Church Accounts (Norfolk) for 1673 show that 12 s. 4 d. was paid for "Butter, cheese, Bread, Cakes, Beere and Tobacco and Tobacco Pipes at the goeing of the Rounds of the Towne." On the occasion of a similar perambulation of the parish boundaries in 1714-15 the churchwardens paid for beer, pipes and tobacco, cakes and wine. The account-books of the church and parish of St. Stephen, Norwich, for 1696-97 show 2 s. as the price of a pound of tobacco. These entries, and many others of similar import, show that at feasts and at social and convivial gatherings of all kinds, tobacco maintained its ascendancy. Pipes and tobacco were included in the usual provision for city feasts, mayoral and other; and smoking was made a particular feature of the Lord Mayor's Show of 1672. A contemporary pamphleteer says that in the Show of that year were "two extreme great giants, each of them at least 15 foot high, that do sit, and are drawn by horses in two several chariots, moving, talking, and taking tobacco as they ride along, to the great admiration and delight of all the spectators." Among the guests at a wedding in London in 1683 were the Lord Mayor, Sheriff and Aldermen of the City, the Lord Chief Justice—the afterwards notorious Jeffreys—and other "bigwigs." Evelyn records with grave disapproval that "these great men spent the rest of the afternoon till 11 at night, in drinking healths, taking tobacco, and talking much beneath the gravity of judges, who had but a day or two before condemned Mr. Algernon Sidney."
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From Chapter 4: Gardiner evidently follows this account, for his version of the story is: "Newcastle strolled towards his coach to solace himself with a pipe. Before he had time to take a whiff, the battle had begun." The incident was made the subject of a picture by Ernest Crofts, A.R.A., which was exhibited at the Royal Academy in 1888. It shows the Duke leaning out of his carriage window, with his pipe in his hand.
From Chapter 7: At Oxford in early Georgian days a profound calm—so far as study was concerned—appears to have prevailed. Little work was done, but much tobacco was smoked. In 1733 a satire was published, violently attacking the Fellows of various colleges. According to this satirist the occupation of the Magdalen Fellow was to drink, look big, Smoke much, think little, curse the freeborn Whig— from which it may not unreasonably be surmised that the author was a Tory; and however little enthusiasm there may have been at Oxford in those days for learning and study, there was plenty of life in political animosities. Another witness to the dons' love of tobacco is Thomas Warton. In his "Progress of Discontent," written in 1746, he plaintively sang: Return, ye days when endless pleasure I found in reading or in leisure! When calm around the Common Room I puff'd my daily pipe's perfume! Rode for a stomach, and inspected, At annual bottlings, corks selected: And dined untax'd, untroubled, under The portrait of our pious Founder!
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Tobacco History: Cigarettes and Literature
From Chapter 2: Peers and squires and parsons and peasants alike smoked. The parson of Thornton, in Buckinghamshire, was so devoted to tobacco that when his supply of the weed ran short, he is said to have cut up the bell-ropes and smoked them! This is dated about 1630. In the well-known description of the famous country squire, Mr. Hastings, who was remarkable for keeping up old customs in the early years of the seventeenth century, we read of how his hall tables were littered with hawks' hoods, bells, old hats with their crowns thrust in, full of pheasants' eggs; tables, dice, cards, and store of tobacco-pipes.
From Chapter 7: This print is now chiefly of interest because the plate was adorned with a tiny etching by Hogarth, in which appear the figures of the British Lion and Britannia, both with pipes in their mouths, Britannia being seated on a cask of tobacco. Hogarth was fond of introducing the pipe into his plates. In the tail-piece to his works, which he prepared a few months before his death, and which he called The Bathos, or Manner of Sinking in Sublime Paintings, the end of everything is represented. Time himself, supported against a broken column, is expiring, his scythe falling from his grasp and a long clay pipe breaking in two as it falls from his lips. This was issued in 1764—Hogarth's last published work. In the plate which shows the execution of Thomas Idle, in the "Industry and Idleness" series, Hogarth depicts the little hangman smoking a short pipe as he sits on the top of the gallows, waiting for his victim. The familiar plate of A Modern Midnight Conversation shows a parson in surplice and wig smoking like a furnace while he ladles punch from a bowl—probably meant for a portrait of the notorious Orator Henley. Most of the other guests are also shown smoking long clay pipes.
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